
This is not the gallery – Publication launch 4th October 2012 6.30-9pm
This is Not The Gallery, Matt Roberts Arts, 25b Vyner Street, London, E2 9DG Book Launch, 6:30 – 9pm, 4th October Facebook event here This Is Not The Gallery follows the progress of the 17 artists who took part in the inaugural

This is not the gallery – Publication launch 4th October 2012 6.30-9pm
This is Not The Gallery, Matt Roberts Arts, 25b Vyner Street, London, E2 9DG Book Launch, 6:30 – 9pm, 4th October Facebook event here This Is Not The Gallery follows the progress of the 17 artists who took part in the inaugural

Time Out First Thursdays – 5th July 2012 at Matt Roberts Arts
Images from our late opening.

Karolina Magnusson-Murray
Watch the video here http://www.karolinamagnussonmurray.com karolina.magnusson.murray@google mail.com Having never known my Father, men of a certain age pose and represent both a challenge and a mystery to me. I create encounters with men in their 50’s and 60’s to satisfy

Karolina Magnusson-Murray
Watch the video here http://www.karolinamagnussonmurray.com karolina.magnusson.murray@google mail.com Having never known my Father, men of a certain age pose and represent both a challenge and a mystery to me. I create encounters with men in their 50’s and 60’s to satisfy

Caro Halford
http://www.carohalford.com caro@carohalford.com twitter.com/carohalford facebook.com/carohalford

Caro Halford
http://www.carohalford.com caro@carohalford.com twitter.com/carohalford facebook.com/carohalford

David Chalkley
http://www.davidchalkley.co.uk dachalkley@gmail.com With this piece I am exploring how time acts upon objects. The objects were mass-produced from identical moulds but time has afforded them different histories. Only when viewing these items as a collection of individuals do the effects

David Chalkley
http://www.davidchalkley.co.uk dachalkley@gmail.com With this piece I am exploring how time acts upon objects. The objects were mass-produced from identical moulds but time has afforded them different histories. Only when viewing these items as a collection of individuals do the effects

Jemma Watts
Jemma_watts@hotmail.co.uk http://www.institutist.co.uk @jemmajwatts Jemma explores ideas of the sacred and mystical in the everyday. She engages in a process of recombining familiar signifiers to conjure a sense of the numinous and powerful potential of the commonplace. The results are often

Jemma Watts
Jemma_watts@hotmail.co.uk http://www.institutist.co.uk @jemmajwatts Jemma explores ideas of the sacred and mystical in the everyday. She engages in a process of recombining familiar signifiers to conjure a sense of the numinous and powerful potential of the commonplace. The results are often

Susie Mendelsson
http://www.susiemendelsson.co.uk susie.mendelsson@googlemail.com I am not interested in anatomical accuracy, but in expressing inner lives and emotions, human vulnerabilities and frailties, fears and dreams. Throughout history models of the human figure have been used as power objects channeling and focusing invisible

Susie Mendelsson
http://www.susiemendelsson.co.uk susie.mendelsson@googlemail.com I am not interested in anatomical accuracy, but in expressing inner lives and emotions, human vulnerabilities and frailties, fears and dreams. Throughout history models of the human figure have been used as power objects channeling and focusing invisible

Work in progress
Catrine Bodum with her latest piece. Kirsty Harris working on miniature paintings.